JOOLS Holland and Marc Almond are almost crying with laughter as they take a trip down memory lane.

They are reminiscing about the time Holland nearly lost his job after showing Almond in the nude on daytime music TV programme The Tube in the 1980s.

“Marc came on The Tube, and there was an incident where I barged into his dressing room with a camera, which was truly spontaneous, it wasn’t planned like it is these days,” Holland recalls.

“And of course poor Marc was completely unclothed, which caused outrage, there were all sorts of letters of complaints coming in and I was nearly sacked, all because of Marc. Somehow it was all my fault he didn’t have his clothes on!”

“It was, after all, a teatime show, it wasn’t post-watershed,” Almond notes.

The pair crack up again, the recollection of one of their early escapades clearly still a source of much entertainment; still keeping them young.

Heaven forbid such a stunt happening to Holland now on his BBC Two shows Later... with Jools Holland and his annual New Year’s Eve Hootenanny.

Holland, composer, former Squeeze rocker and TV presenter extraordinaire, and Soft Cell frontman and award-winning solo artist Almond - both now in their early 60s and with decades in the music industry under their belts - are happy discussing their wilder days in the hedonistic 1980s.

This was an era of real rock and roll antics, before social media took over and before artists hoping to make more than a few quid had to adhere to stricter rules and schedules and contracts.

But they are also content to embrace this time in their lives, with its more serious focus on the music and which has resulted in their first collaborative album after years of performing together.

Almond is also on tour with Jools Holland and his Rhythm and Blues Orchestra this winter, playing at the Manchester Apollo on Friday, December 21.

“We started to become friends once Marc came on tour with us, because you see much more of one another and go through the trials and tribulations, the giddy highs and the lows,” explains Holland of their working relationship, which began at the turn of the century.

“When we first met, I was certainly aware of Soft Cell and thought they were great back in the early 80s. We were probably in New York at the same time when Squeeze was there and Soft Cell were there at one point.”

Holland adds: “It’s a young man’s game, being wild, but if you’ve been fortunate enough to have a history of that sort of thing, and love having boyish fun, it’ll come out once in a while, although it’s much less often.

“We’re more often having some tea and cake than we are anything else.”

Almond agrees that “once in a while it comes out”.

“But now, especially when you’re touring and working so much as Jools and I am, there comes a time when you have to be much more disciplined about yourself, otherwise you’re just not going to make it, you’re not going to last,” he reasons.

Of his earlier days in synthpop duo Soft Cell with musician David Ball, Almond admits: “I’m amazed I actually got through it - everything was always shambolic, and when things are shambolic it’s always terribly stressful and exhausting.”

He says of his relationship with Holland: “We’ve been working in music for 40-odd years now.

“It’s actually a great thing to say because we both survived in music and we both realised you can’t do that anymore, you have to have a different way of approaching things.”

Survive they both did, Almond through his Soft Cell days and then his remarkable solo career, which resulted in more than 20 studio albums and more than 30 million records sold.

Holland’s career has been equally triumphant, with a string of records, collaborations, tours and, of course, his long-running music TV shows.

They have now combined their talents on new album A Lovely Life To Live, which they admit was a long time coming after many years on the road together.

The album is a mix of covers, including a big-band version of Soft Cell’s Tainted Love and a haunting rendition of Edith Piaf’s Hymne à l’Amour, along with a handful of original songs written by the duo, all backed by Holland’s Rhythm and Blues Orchestra.

“Marc would come out and do the odd show with us at the turn of the century, which always went really well,” Holland explains.

“He’s got that thing, that ability to release the power of his voice, and also personality, which is quite a unique type of quality in a performer. We loved working with him and then we realised he needed more material to come out.”

Things were halted when Almond was nearly killed in a motorcycle accident in 2004 that left him in a coma for around two weeks.

“After that,” Holland continues, “Marc came back out and started touring.It was just to work himself back into it, which was a slowish process at first, but after a while we realised we had this full repertoire we had built up.

“What we wanted was a way of capturing everything to keep it as a memo of what we had done, so we turned it into an album.”

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