THE delightful clarity and directness of the conducting of Wyn Davies at the Haffner Orchestra concert at St Martin's College was immediately apparent as they lyrically embarked on their performance of Faure's 'Masque et Bergamasques'.

He encouraged the performers to 'sing' rather than 'play', captivating the audience by colourful sound-painting.

The lively third movement allowed the orchestra a release of energy, with quiet, well-sustained composure returning at the end.

Continuing the theme of French Romanticism, the orchestra performed Ravel's 'Pavane pour une Infante Defunte'.

This music is truly reflective of the Impressionist style of the French painters - thin, transparent texture with touches of striking colour.

The flautist Christine Lorriman lured us deeper into the picture with a tone of breathtaking beauty, to be heard again in Gounod's 'Petite Symphonie' for nine wind players.

It was wonderful to see so many young people in the audience, perhaps seeking inspiration from Robert Churchill, a 'local lad' and soloist in Strauss's Horn Concerto No 1 in E flat.

Robert accredited himself well, his particular strength lying in the quality and control shown in the lyrical passages.

The orchestra warmly supported him throughout, and Robert clearly has much potential to explore and express.

Despite the intense concentration in the Haydn symphony, a real sense of fun was conveyed.

The commitment of Wyn Davies to the communication of the enjoyment of music was clearly apparent throughout a most fulfilling evening.